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June Ahrens: Tapping Memories through Material

June Ahrens, Hiding in Plain Site, 2008; site-dependent installation, acrylic mirror and light, 174 inches diameter.
Courtesy of the artist
June Ahrens, Hiding in Plain Site, 2008; site-dependent installation, acrylic mirror and light, 174 inches diameter.

Artist June Ahrens draws on a wide range of materials, from rusty razor blades and air conditioner filters to insulation foam and pillows.

By Laura Spencer

Kansas City, Mo. – The latest series by the artist uses broken acrylic mirrors, broken jars, and bottles to create works inspired by the events of 9/11.

KCUR's Laura Spencer caught up with Ahrens recently during the installation of two of her pieces, Hiding in Plain Site and Still Standing, at the Kemper Museum of Contemporary Art.

Acquisitions in Context: June Ahrens, on view September 9-December 24, 2011, at the Kemper Museum of Contemporary Art in Kansas City, Missouri.

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Kansas City is known for its style of jazz, influenced by the blues, as the home of Walt Disney’s first animation studio and the headquarters of Hallmark Cards. As one of KCUR’s arts reporters, I want people here to know a wide range of arts and culture stories from across the metropolitan area. I take listeners behind the scenes and introduce them to emerging artists and organizations, as well as keep up with established institutions. Send me an email at lauras@kcur.org or follow me on Twitter @lauraspencer.
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