painting/printmaking | KCUR

painting/printmaking

Julie Denesha / KCUR 89.3FM

When pioneers set off in covered wagons from Independence, Missouri, on the Oregon Trail for "The Great Migration of 1843," it was a 2,000-mile trek that would take an average of five months by covered wagon. Before the transcontinental railroad rendered the trail obsolete, at least 400,000 settlers are estimated to have used the Oregon Trail and its three offshoots — the California, Bozeman and Mormon Trails.

Now two professors at the Kansas City Art Institute, a printmaker and a musician, are using a historic map of the Oregon Trail as a jumping off point for their own work.

Segment 1: Meet a dean at Haskell Indian Nations University.

What does a dean do? We talk with Julia Good Fox about her work at Haskell — and what she tries to communicate about her school through her "Tweet-alongs."

Segment 2, beginning at 24:50: Looking back on the life of a Cuban artist.

Julie Denesha / KCUR 89.3FM

Two times every year, a group of admittedly obsessive collectors gets together for a "show and tell." And sometimes, what the members of the The Print Society of the Nelson-Atkins Museum of Art are most excited about can end up on the walls of area museums.

Julie Denesha / KCUR 89.3

Art fairs don't seem like a place of fierce competition — but getting a booth at one can be.

More than 1,400 artists apply each year for the Plaza Art Fair in Kansas City. Participants are selected by a jury, a group of curators, gallery owners and educators. This year, 240 artists got in, including about 40 from Kansas and Missouri.

Archives of American Art / Smithsonian Institution

Joe Jones doesn’t sound like the name of a great artist – it sounds like the name of a house painter, which is what Jones was during his early days in St. Louis. But an exhibition at the Albrecht-Kemper Museum in St. Joseph argues that Jones' name deserves to be as well known as his regionalist contemporaries: Thomas Hart Benton, John Steuart Curry and "American Gothic" painter Grant Wood.

Dave Loewenstein

Jul 14, 2017
Paul Andrews / www.paulandrewsphotography.com

He's traveled around the Midwest to translate other people's stories into art that lives on city walls. Now we hear muralist Dave Loewenstein's story.

Guest:

Régine Debatty / Flickr -- CC

Even though he was born in the United States, artist Roger Shimomura still gets asked where he’s from. Or he’s told that he speaks English really well.

“The presumption is that if you’re Asian, you must be foreign to this country,” he told host Gina Kaufmann on KCUR’s Central Standard.

Courtesy Sharon Rodriguez

As election season cranks into post-Labor Day fury, the Johnson County Library wants to provoke conversations about democracy and activism.

It's doing so with events titled Bear Witness, kicking off on Thursday with an art opening intended to “bear witness to the events and issues of the past and present, and to postulate those in the future.”

One literal witness is photographer Sharon Rodriguez, who has spent the past year interviewing and taking photographs of homeless people in Johnson County.

Courtesy Two Tone Press

Color is an essential part of the lives of sisters Angie and Michelle Dreher, who run Two Tone Press, a letterpress print shop in midtown Kansas City, Missouri.

But after watching a short video on Facebook, lack of color recognition grabbed their attention.

"It's like, maybe, a 2-minute video. But I was like crying," says Angie Dreher, who watched the video as people tried on EnChroma glasses. They're designed to boost and improve color vision for those who are color blind. 

Laura Spencer / KCUR 89.3

Even if you're not that familiar with art, you probably know what Andy Warhol's Campbell's Soup cans look like.

In April, seven of Warhol's iconic soup can prints from the 1960s — including tomato and chicken noodle — were stolen from the Springfield Art Museum in southwest Missouri. As a set, they were worth about $500,000, but the thieves didn't take them all. 

Nick Nelson, Springfield Art Museum director, stands inside a quiet gallery in a new wing of the building with the standard gray carpeting, white walls and track lighting.

Andrea Tudhope / KCUR

This past weekend, the KC Zine Collective hosted the first-ever KC Zine Conference at the Uptown Theater. It was lively and well-attended — a colorful scene, adorned with twinkle lights, banners and, of course, the vibrant zines themselves, exhibited by up to 90 local and regional artists.