Visual Arts | KCUR

Visual Arts

Jon Feinstein / Flickr, Creative Commons

In late October, as the leaves begin to rustle and the winds begin to moan, our thoughts turn to night frights and all things ghoulish. In partnership with the ongoing 100 Ghost Stories project at Wonder Fair in Lawrence, Central Standard presents three ghost stories by writers with local ties.

In order of increasing scariness:

Ghost Feelings, by Mick Cottin

Caroline, by Megan Kaminski

Monitored, by BJ Hollars

Julie Denesha / KCUR

Camera phones were snapping Friday night with the opening of Peregrine Honig's latest exhibition at Haw Contemporary, a gallery in the West Bottoms of Kansas City, Mo. While many artists discourage photographs of their work, Honig openly invited viewers to use her large-scale oil paintings as backdrops for selfies, or self-portraits. 

courtesy: the artist

Making art requires dedication and time – lots of it. Add a child to the mix and having a career as an artist can be a challenge. Some put their art practice on hold to raise a family; others adapt to making art when they can. And, sometimes, a child can lead to inspiration. 

Kansas City Museum

The Kansas City Art Institute doesn’t offer degrees in fashion design, but students in the fiber department spend plenty of time thinking about clothing, costumes, performance and the human body as a means of expression, says Pauline Verbeek-Cowart, the chair of the department.

So when she got a call from Kansas City Museum Executive Director Anna Marie Tutera about co-curating a show called Rituals and Celebrations: Exploring Meaning Through Dress, she was up for it.

C.J. Janovy

People who go to the Kansas City Flatfile show at H&R Block Artspace get to do something that feels wrong: touch the art.

That’s the fun of the Flatfile exhibition, which takes place every two years. The show features work by 160 Kansas City artists, and visitors get to pull it out of the metal files themselves, spending as much time as they want having what Artspace director and curator Raechell Smith calls an "unmediated" experience with the art.

courtesy: Zahner

Sky Stations are the shiny, space-age sculptures on top of Bartle Hall (more commonly called "hair curlers").

Twenty years ago this week, a helicopter hovered overhead to place the four steel and aluminum sculptures atop 300-foot concrete pylons in a public art installation that closed the downtown streets in Kansas City, Mo.

New York-based artist R.M. Fischer reflects on Sky Stations 20 years later: 

Laura Ziegler / KCUR

The iconic shafts of wheat and corn that have arched over the east entrance of the building that formerly held the Kansas City Board of Trade were pried off the wall Tuesday after a nearly 50-year running.

Workers with Belger Cartage Service of Kansas City – the same company that installed the art work in 1966 — spent the day wrenching loose bolts and heaving the 4,000-pound bronze sculptures onto flatbed trucks in the middle of Main Street on the Country Club Plaza in Kansas City, Mo.

Julie Denesha / KCUR

Drumbeat and song drifted through the halls of the Nelson-Atkins Museum of Art Sunday afternoon in celebration of the opening of Plains Indians: Artists of Earth and Sky. Native American dancers wearing brightly-colored ribbons and feathers performed traditional dances in Atkins Auditorium and Kirkwood Hall.

Charlie Podrebarac

Local cartoonist Charlie Podrebarac is familiar with the tensions that sometimes arise over the Kansas-Missouri state line.

He lives on the Kansas side, but has often highlighted the border conflict in his Cowtown Cartoons. He’s been penning Cowtown since 1984 for the Kansas City Star.

In his series, “soldiers” take the battlefield on State Line Road armed with leaf blowers and rakes in an ironic statement about the “border war” between Missouri and Kansas. It’s part of a series of cartoons about metropolitan Kansas City that use a leaf motif.

Lora Jost

The Lawrence Public Library on Thursday revealed this year's set of banned books trading cards.

It marks the third time the Kansas library has celebrated Banned Books Week by highlighting shunned classics and contemporary works with a set of trading cards. 

Laura Spencer / KCUR

The new exhibition at the Nelson-Atkins Museum of Art, The Plains Indians: Artists of Earth and Sky, includes nearly 140 masterworks from private and public collections across North America and Europe. 

There’s a 2,000-year-old pipe, 18th century-painted robes and beaded designer shoes from 2011. 

Some curators might find it offensive if someone asked them to choose a few favorite works — well, actually, just two — from an exhibition they'd worked on for nearly five years. 

Beth Lipoff / KCUR

The exhibition The Plains Indians: Artists of Earth and Sky, now at the Nelson-Atkins Museum of Art in Kansas City, Mo., marks an international collaboration, years in the making. Three museums on two different continents, featuring nearly 140 objects from North American and European collections. 

Julián Zugazagoitia, director and CEO of the Nelson-Atkins, says this builds on a museum tradition, started in the 1970s with Sacred Circles, of bringing Native American artwork to a larger audience.

E.G. Schempf, courtesy of the artist and Haw Contemporary, Kansas City, Mo.

Curators from Crystal Bridges Museum of American Art in Bentonville, Ark., set out on a road trip to find the most compelling unknown artists hidden away in studios across the country. About a thousand studio visits later, artists had been selected for The State of the Art exhibitTwo Kansas City artists made the cut. 

Guests:

CJ Janovy / KCUR

The Kansas City Parks & Recreation Department celebrated the opening of Soccer Village on Friday. In addition to pristine practice fields with perfect synthetic grass and a natural-grass championship field with grandstands that seat 1,500 people, there’s also a sculpture, thanks to the city’s One Percent for Art Program.

The artist, Jake Balcom, installed the work last week with help from two friends, Spencer Schubert, also a local sculptor, and musician Brent Jamison.

Suzanne Hogan / KCUR

Driving around Kansas City’s Northland on Vivion Road, it’s kind of hard to miss Penguin Park. It has a way of sticking out – there’s a giant penguin standing in the center of it. But why is the penguin there? And where did it come from? 

Ben Palosaari

This weekend Crown Center hosted the 7th annual Kansas City Chalk and Walk Festival showcasing local artists’ artwork drawn on the ground. 

The weather Sunday couldn’t have been better for an outdoor art festival. The temperature topped out at 77 degrees, as dozens of local artists worked on their hands and knees drawing with chalk on the brick plaza.

Artists Show Off Work At 35th Annual Art Westport

Sep 7, 2014
Ben Palosaari

This weekend is the 35th annual Art Westport festival. The show stops traffic and fills the streets of Westport with booths showcasing the work of local artists.

Photographer Tom Manning has been coming to the festival for decades, but he is showing and selling his work at Art Westport for the first time. He says Art Westport is appealing because it’s open exclusively to Kansas City artists.

Paul Andrews

Kansas City photographer Paul Andrews has committed himself to taking a photograph a day for all of 2014. He's been posting the photos online as he goes, and his project has gained a local following by way of social media.

Julie Denesha / KCUR

The oldest, and longest-serving, employee at the Nelson-Atkins Museum of Art retired on Aug. 31.

Henry J. ("Hank") Raya studied at the Kansas City Art Institute and served in the U.S. Navy before working for two decades as an illustrator at The Kansas City Star. Then he stepped into a new career: as a security guard at the Nelson-Atkins, where he's helped the visitors and protected the art for 35 years. 

C.J. Janovy / KCUR

On Central Standard in July, host Gina Kaufmann asked the Kansas City graffiti artist known as Gear to explain his theory that graffiti is “the beautification of the city.”

Most graffiti artists choose areas that are run-down or buildings that haven’t been taken care of by their landlords, Gear said.

Laura Spencer / KCUR

The experience of viewing a work of art often involves words — think of the neatly typed wall panels with an artist’s name and background, or details about the work itself. The written word — and its role in and on an artwork — is the focus of a Belger Arts Center exhibition in the Crossroads Arts District. 

"A couple of years ago, there were some visitors waiting for the elevator over there," says gallery assistant Mo Dickens, on the third floor of the Belger Arts Center. "And I heard one turn to the other and say, 'Hmm … I don’t know. I’ve never liked text on paintings.'" 

Norman Akers

This fall, the Nelson-Atkins Museum of Art opens its blockbuster exhibition "The Plains Indians: Artists of Earth and Sky," with works ranging from a 2,000-year-old stone pipe to beaded designer shoes from 2011. To spark enthusiasm, three enormous teepees now compete with the Shuttlecocks on the Nelson’s south lawn.

Nelson-Atkins Museum of Art

The Nelson-Atkins Museum of Art has unveiled plans for a bold expansion. The museum is talking about greater green spaces, walkways, and more sculptures as part of a gleaming cultural district. The new district would extend a mile in every direction from Oak Street and Emanuel Cleaver Boulevard. It’s a huge statement that could carry some pain as pieces of nearby historic neighborhoods would vanish to make way for this new vision.

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David Goodrich, 52, a Kansas City artist whose expressionistic paintings conveyed a perpetual state of motion, was found dead Tuesday.

Goodrich enjoyed hiking and was found dead in Horseshoe Canyon, just north of Canyonlands National Park in Utah. His body was identified on Thursday.

Authorities speculate he suffered from heat stroke, but the cause of death has not been confirmed.

In 2013, Crystal Bridges Museum of American Art in Bentonville, Ark., embarked on a project to discover “the most compelling American art being created today.”

Over a period of about 10 months, museum president Don Bacigalupi and assistant curator Chad Alligood crisscrossed the country. They traveled more than 100,000 miles — by plane and car — and stopped in the homes and studios of nearly 1,000 artists.

Julie Denesha / KCUR

On Tuesday's Central Standard, we invited a variety of artists to discuss how their practice has evolved as they have moved from one stage of life to another.

As a ballet dancer embarked on retirement from the stage and into a teaching and choreographing role at the age of 32, he sat down with a visual artist who has more than forty years of studio experience and a legendary jazz saxophonist. The three compared notes across genres. 

Highlights:

Matt Herron

Thursday's Up to Date brings the never before told story of powerful events witnessed by five young photographers during the momentous summer of 1964 in the segregated South. Guest host Brian Ellison talks with Matt Herron, one of the photographers and author of Mississippi Eyes: The Story and Photography of the Southern Documentary Project, "the only book to provide a firsthand account of what it was actually like to photograph the civil rights struggle in the Deep South."

Esther Honig, Before and After

A young Kansas City journalist named Esther Honig, who contributes to KCUR, had an idea for a project.

She sent a simple, straightforward portrait of herself to Photoshoppers around the globe with a request to make her beautiful. She wanted to see what that would mean to people in different parts of the world, investigating how culturally specific definitions of beauty might play into the results.

How Would You ‘Make Me Beautiful?’

Jun 27, 2014
Courtesy photo / estherhonig.com

When our contributor, Esther Honig, asked graphic artists at 25 countries to “make me beautiful,” she didn’t expect her cross-cultural examination of beauty to go viral.

Using Photoshop, the artists all manipulated Honig’s raw image to their country’s ideal. (See a slideshow.)  

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