Ann Powers
Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs .
One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.
Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.
Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian Americawas published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.
After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.
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NPR Music's Ann Powers and Rodney Carmichael discuss albums they're looking forward to, as well as the artists they're begging to come back.
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Carlile's tribute concert established a new approach to canonizing Mitchell's work. And in a video produced for the concert, musicians and friends share their favorite lyrics by Mitchell.
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The NPR Music series Turning the Tables enters its third season this week with a new concept: Which eight women were the pillars upon which American popular music was built?
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The track, recorded with Colombian singer Maluma, channels "Despacito," with a nod toward Madonna's 1986 song "La Isla Bonita."
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One day after performing the songs in Nashville, the country supergroup has released all three digitally ahead of the release of its new album, Interstate Gospel.
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Aretha Franklin died of pancreatic cancer Thursday. Her hits, from the 1960s to the 1980s, helped define the era. NPR's Noel King talks to NPR music critic Ann Powers about the singer's legacy.
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Adams' 1989 recognizes a rock lineage born of a woman. He's not legitimizing Swift's work – he's figuring out how her voice can validate and include his.
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Reed made me realize that, for all of my self-stylings as a rebel in love with noise that stripped away the unnecessary, I didn't know the first thing about rock music inflicting the pain of clarity.
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We all know what's most often excavated: Nirvana's roar, Biggie's cool murmur, the futuristic sigh of Aaliyah. But there's more to the decade than those obvious landmarks.
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As a pop star, no one comes close to dominating culture and conversation the way Beyonce does. Because she exerts such control over her image — from advertisements to films, politics to pop songs — should we think of her differently?