Peter Sagal
Peter Sagal is, has been, and perhaps someday will be again, a husband, father, playwright, screenwriter, author, journalist, columnist, marathoner, Jeopardycontestant, dramaturg, podcast host, documentary host, foreign correspondent, wedding officiant, and magician's assistant.
As a playwright, his work has been produced or commissioned by the Long Wharf Theater, Seattle Rep, Actor's Theater of Louisville, Florida Stage, and many others here and abroad, and he's won awards from the Lannan Foundation, the Eugene O'Neill Theater Center, and fellowships from the Camargo and Jerome Foundations. His screenwriting career began and pretty much ended with Dirty Dancing 2: Havana Nights, which he wrote without meaning to.
In 1997, Peter got a call from a friend telling him about a new show at NPR, which was looking for "funny people who read a lot of newspapers." He auditioned and appeared as a panelist on the first broadcast of Wait, Wait... Don't Tell Me!in January of 1998, and moved with his family to Chicago to become the host in May, alongside the original judge and scorekeeper, Carl Kasell. In the two decades since, he has traveled the country with the show, playing in venues such as the Pritzker Pavilion at Millennium Park, Red Rocks, Tanglewood, the San Francisco War Memorial Opera House, and Carnegie Hall. He's interviewed two Presidents; a number of Nobel Prize winners; astronauts and rocket scientists; musicians Elvis Costello, Yo Yo Ma, and Ice Cube; actors Tom Hanks and Scarlett Johansson; and many, many others. Wait, Waithas grown from 50,000 weekly listeners on nine stations at its launch to over five million listeners on more than 700 stations, making it the most-listened-to hour in public radio. This, however, has not gone to his head.
In 2008, he accepted a Peabody Award on behalf of the panelists, crew, and producers of this show. He's also won the Kurt Vonnegut Award for Humor from the Kurt Vonnegut Library. He's the author of The Book of Vice: Naughty Things and How To Do Themand The Incomplete Book of Running,a memoir about the 2013 Boston Marathon bombing and other adventures while running long distances. He's contributed essays to Opera News, Saveur, Finesse, The New York Times Magazine, and was the "Road Scholar" columnist for Runner's World.
On TV, Peter has made appearances on Late Night with Jimmy Fallonand other shows, and hosted Constitution USA with Peter Sagalfor PBS and National Geographic Explorerfor the NatGeo Channel. He also appears on a narrowly popular podcast, Nerdette Recaps Game of Thrones with Peter Sagal, because he is a giant nerd.
He has three daughters, Rosie, Gracie and Willa, and lives in the Chicago area with his wife Mara and two dogs, DeeDee and Dutchie, who like to see their names in print.
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For this week's Sandwich Monday, we introduce our non-Jewish colleagues to the wonders of the Passover lunch. Manischewitz rules this meal. -
For this week's Sandwich Monday, we try the YUMBO. It's a Burger King sandwich with ham and cheese recently pulled out of retirement. -
For this week's Sandwich Monday, we make our own holiday turkey — out of hot dogs. -
For this week's Sandwich Monday, we try the Pizza Cake, which is a fancy way of saying "a bunch of pizzas stacked on top of each other."
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For this week's Sandwich Monday, our non-Jewish colleagues get an introduction to the wonders of the Passover lunch. Manischewitz rules this meal. -
For this week's Sandwich Monday, we try a dish that combines the magic of poutine with the magic of a brown bag lunch you ate a lot in second grade. -
Peter Sagal's in New York, so what did he go get for this week's Sandwich Monday? A classic New York hot dog? A pastrami sandwich from 2nd Avenue Deli? No, a fried peanut butter and banana sandwich. -
For this week's Sandwich Monday, Peter heads to London, where they call sandwiches "sarnies," according to Wikipedia. He and his adventurous family attempt to eat the classic British staple "steak and kidney pie," so you don't have to.
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Peter Sagal remembers Ray Bradbury as one of the writers who wrote the stories of his science-fiction childhood. He notes that the author was always showing us "our reflections in very strange places."
