Tom Moon
Tom Moon has been writing about pop, rock, jazz, blues, hip-hop and the music of the world since 1983.
He is the author of the New York Times bestseller 1000 Recordings To Hear Before You Die (Workman Publishing), and a contributor to other books including The Final Four of Everything.
A saxophonist whose professional credits include stints on cruise ships and several tours with the Maynard Ferguson orchestra, Moon served as music critic at the Philadelphia Inquirer from 1988 until 2004. His work has appeared in Rolling Stone, GQ, Blender, Spin, Vibe, Harp and other publications, and has won several awards, including two ASCAP-Deems Taylor Music Journalism awards. He has contributed to NPR's All Things Considered since 1996.
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On the 50th anniversary of the band's landmark album Green River,we dig into how the band formulated its singular sound, its legacy and how Creedence's music still resonates today.
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The 1960s rock icon, who was also an accomplished jazz musician and performed with Fela Kuti, died Sunday morning.
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It's been six years since singer-songwriter Beck released his last album. Music critic Tom Moon says that Beck's new record, Morning Phase, is purposely out of step with the pop trends of the moment.
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Listening to Temples, a four-piece band from England, one might be reminded of another British iconic band — The Beatles. But on their debut album, Sun Structures, the group does not create copycat music. Critic Tom Moon says the Fab Four's inspiration lives on in surprisingly creative ways in the music of Temples.
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NPR's Melissa Block talks with music critic Tom Moon about three recently released live recordings, all from around 1970, that each capture an artist at a distinct point of change in his career.
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Lady Gaga has been building anticipation for her third studio album in ways that only she can manage. But perhaps the forte of ARTPOP lies in its marketing — not the actual music.
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The British musician is a fast-rising newcomer who's drawn both high praise and vicious pans in his home country. His debut album, Long Way Down, will likely draw similar reactions in the U.S., but the 22-year-old has considerable potential.
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The two artists are known opposites in the world of instrumental music. On Metheny's latest, the jazz guitarist wrings an unexpectedly visual listening experience from Zorn's knotty compositions.
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The L.A. roots-rock quartet is often described as a band on the verge of greatness. Its new album, Stories Don't End, features disarmingly beautiful, refreshingly unflashy songwriting. It may not make the musicians superstars, but that's just fine.
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Inside the famously fevered head of the Radiohead lead singer, the ghosts and phantoms are still working overtime. Hear a review of his new project.