Kansas City, Missouri, has recently announced plans for six Black Lives Matter street murals to appear in neighborhoods around the metro. The murals are being conceptualized by Black artists in partnership with arts and social justice organizations. Their visions will transform significant intersections like 18th and Vine and 63rd and Troost, giving the protest movement an official place in the cityscape.
Cities all over the country have paved the way for the initiative, turning streets into statements. The trend began when Washington, D.C., Mayor Muriel Bowser ordered Black Lives Matter to be painted on city asphalt in big yellow letters, while also renaming the location Black Lives Matter Plaza. In Portland, Black Lives Matter has likewise beenpainted in big yellow block letters, but inside the giant letters, the stories of Portland's Black history have been written in much smaller font; those stories can be read from the ground. In Cleveland, Black artists led the way, with a project spanning several blocks in a predominantly Black neighborhood; each letter was created by a different artist, resulting in a colorful patchwork of meaning.
When Kansas City's murals go up, they'll join an ongoing transformation of the visual landscape of our neighborhoods that's been happening since the murder of George Floyd back in May (in some neighborhoods, it's been going on even longer, since the 2014 protests in Ferguson, Missouri).
Ordinary people have been reaching for markers or spray paint — whatever they have on hand — to create personalized expressions of outrage, grief and hope using any platform available. At a time when face-to-face communication is limited, the signs speak volumes.
The businesses, apartment buildings and artists' collectives near Linwood and Gillham are densely packed with signs. The messages are simple, but the sheer number creates a hard-to-ignore declaration.
Apartment-dwellers don't have lawns, but they do have windows.
And they're using them.
They also have balconies.
Suburbs typically quiet on matters of racial justice are seeing pockets of outspokenness. In Johnson County, it was not so long ago that a mural sparked controversy for depicting women of color in headscarves. Now, lawns spanning a busy thoroughfare right off of State Line Road send clear messages to people driving by.
Meanwhile, some intrepid messengers with a lot of spraypaint and no fear of heights shared their particular vision from a spot where it would be visible to anyone driving southbound into downtown Kansas City via the Bond Bridge.
But some of the signage is tucked away in far less visible corners of the city. And artists' materials don't have to be fancy.
In the coming weeks, months and years, these visual cues will keep changing. This snapshot of "now" will feel like a time capsule, a distant memory. But the growing presence of signs like these could very well inform whatever comes next. What will we see when we look back at these gestures? Will we shudder to remember the pain that inspired them? Will their promise ring hollow? Or will they symbolize the moment when everything started to change?
Editor’s note: A previously published version of this story mistakenly identified the organization responsible for the signage in the lead photo.
