Bilal Qureshi

Non-Fiction is being billed as a comedy of adultery in the publishing industry. But it poses some serious questions about the effects of the digital age on all of us.

The reckoning that is reshaping Hollywood is finally making its way to the critic's perch.

With its flashy swagger and quotable one-liners, Empire, the Fox series about a black music label, has become a cultural phenomenon. A watch party in D.C., had just as much.

The Immigrant and Zinda Bhaag are idea-driven films that delve into the global arc of migration from different corners of the world.

There was a time when you didn't know what the No. 1 song in America was until Casey Kasem said so. The listener had an emotional relationship with the American Top 40host for four decades.

Steve McQueen's 12 Years A Slave was one of several films premiering at this year's Toronto International Film Festival. Black British filmmaking is on the rise.

The Great Beautyis the latest portrait of the city onscreen, in all its wonder, decadence, sinfulness and ugliness. The film, directed by Paolo Sorrentino, is also Italy's official entry for this year's Academy Awards.

More than 100,000 people of Japanese descent were put in camps during World War II. Decades later and inspired by the civil rights movement, Japanese-Americans launched a campaign for redress that culminated in an official apology. The community marks the 25th anniversary of that victory this week.

Midnight's Children,from Oscar-nominated filmmaker Deepa Mehta, is a sweeping big-screen adaptation of Salman Rushdie's great novel of modern Indian history. NPR's Bilal Qureshi talks to the two storytellers about their collaboration on the project.

Both as the lead character in the film The Reluctant Fundamentalist and in his life outside the cinema, British actor Riz Ahmed navigates many identities.