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How much should Kansas City’s live musicians get paid? The city wants to set a fair rate

From 1987-2006 Dan White captured black and white photos of jazz musicians in Kansas City. In a new addition to the series, White captured color photos current artists, including Dieu-Aime Nsikoh at The Blue Room.
©Dan White
Kansas City wants to establish fair rates for city supported music gigs. In this photo, Dan White captures Dieu-Aime Nsikoh performing at The Blue Room.

A group of Kansas City musicians has been tasked to review a city-wide music strategy and draft recommendations for how to implement it. One of the goals is to enhance Kansas City’s music economy — and that includes possibly standardizing much musicians get paid for live performances.

How much is fair to pay live musicians in Kansas City?

The going rate varies significantly – it’s based on who you are, where you’re playing and who you’re playing with. Kansas City is the country’s only UNESCO-recognized “City of Music,” but local musicians say it needs to do more to support them and the arts economy.

Pay has become a major topic of discussion. And now, a task force of musicians is working to review and create recommendations to Kansas City about how to implement a citywide music strategy adopted by City Council last year.

One of the task force’s goals is to identify how to pay musicians who perform at city-owned facilities or at events that use public money.

Eddie Moore, a jazz pianist in Kansas City and lecturer at the University of Kansas who teaches about the business of music, says the answers aren’t so clear-cut.

“This isn't as democratic of a process as I think we're trying to make it,” Moore said. “Every artist shouldn’t get paid the same thing. Every brand isn't equal.”

Moore says a solution could be establishing all city-supported gigs as union-scale work. That would obligate them to pay the rates negotiated by the Kansas City Federation of Musicians.

Shaun Crowley, founder of Manor Records, a nonprofit record label in Kansas City, says creating a city registry of venues also be a way to establish a baseline pay for musicians.

“Creating a minimum for venues that do sign up to be on this registry, minimum pay per hour per musician, at least we have a bottom line,” Crowley said. “Therefore we're at least getting paid, no matter what, we're never getting zero. And I think that's a good place to start.”

  • Eddie Moore, Kansas City musician and lecturer on the business of music at the University of Kansas
  • Shaun Crowley, founder, Manor Records
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