Julie Denesha

Restaurants and bars have closed and gatherings larger than 10 people have been banned. The entire Kansas City metro is under orders to stay at home. Among many profound changes brought by the coronavirus: The interaction between musicians and their audiences at live shows.

"We're shutdown for the foreseeable future, at least two weeks. Could be a month, could be two months, who knows?" said Steve Tulipana, co-owner of RecordBar in downtown Kansas City. "So we're all just trying to figure out ways to keep doing what we do to keep sane, really."

Kansas City’s live music community was just beginning to understand how hard the scene would be hit by coronavirus cancelations on March 14. Then came news that a fire had gutted Davey's Uptown Rambler's Club in Midtown.

Owner Michele Markowitz says she's been overwhelmed by the outpouring of community support, and plans to rebuild just as soon as she can.

Women are partly responsible for the private art gallery scene that's flourished in Kansas City over the past 20 years. And despite the stereotype of the artist working alone in a studio, they've been networking just like professionals in other industries.

“That’s what people do in the business world when they want to find a job or make contacts,” says CJ Charbonneau.

No more waiting, Kansas City: The Chiefs are Super Bowl champions again, and it’s time to party.

What if you accidentally cut off a piece of your finger, and two weeks later that piece grew into your clone? Tiny creatures with that ability are swimming in tanks at Kansas City's Stowers Institute for Medical Research, and they've inspired a new collaboration between scientists and artists.

The KCUR news staff presents the State of Kansas City series as a look ahead to 2020 on topics of importance to the region. Find the State of Kansas City report on other topics in the series as they are published each weekday, Jan. 6–Jan. 20. Follow coverage on these topics at KCUR.org and on 89.3 FM throughout the year.

Kansas City’s art world is at a turning point.

On one busy corner of Kansas City's St. John Avenue, a community is coming together to create a piece of art that reflects the whole world.

Home to culturally and ethnically diverse businesses and many artists, the city's Historic Northeast neighborhood is already a colorful place.

If someone were to hike deep into the places he paints, says Kansas City artist Jason Needham, "it would be rough going, for sure."

As the sun rose one recent morning, he was concentrating on a tangle of overgrown vines surrounding a stand of cottonwood trees at Kessler Park in the the city's Historic Northeast neighborhood.

When pioneers set off in covered wagons from Independence, Missouri, on the Oregon Trail for "The Great Migration of 1843," it was a 2,000-mile trek that would take an average of five months by covered wagon. Before the transcontinental railroad rendered the trail obsolete, at least 400,000 settlers are estimated to have used the Oregon Trail and its three offshoots — the California, Bozeman and Mormon Trails.

Now two professors at the Kansas City Art Institute, a printmaker and a musician, are using a historic map of the Oregon Trail as a jumping off point for their own work.

Mike Sims is a bit emotional. As he prepares to celebrate 40 years of working with an array of acclaimed artists, the master printer admits it's overwhelming.

"Huge memories, yeah," Sims says, shaking his head. "The biggest memories are the relationships with the artists, many of whom are dead and gone now.”

Since 1979, artists from around the United States have traveled to Lawrence, and then later to Kansas City, to work with Sims.

People who live around Kessler Park, just a few blocks from the Kansas City Museum in the Historic Northeast neighborhood, say it's the city's biggest front porch for listening to music in Kansas City.

“We have a lovely view of this day after day," said David Joslyn, who has lived in the neighborhood with his wife Elaine for more than 30 years. "The beautiful Concourse, the Esplanade, the wonderful playground and the fountain. We’re very blessed.”

Anyone who has been to Kansas City's Country Club Plaza has likely seen the work of Arthur Kraft, who sculpted the trio of bronze penguins near the corner of Pennsylvania and Jefferson streets. Even though his name has largely been lost to history, his work is still all over town.

Some Kansas Citians who do remember Kraft's significance argue that he should be as well known as the famous hometown painter Thomas Hart Benton.

Crews are hard at work at Kansas City International Airport tearing down Terminal A and recycling its components to make way for a new, greener single terminal.

There have been no explosions, no big building collapse — and for good reason, says deputy director Justin Meyer.

People often ask Kansas City musician Gerald Trimble about the instrument he plays at gigs around town with his band Jambaroque. Although it looks like a cello at first glance, players hold it between their knees, so some people call it a knee fiddle. It’s a viola da gamba.

The instruments have roots in 15th Century Moorish Spain, and there aren’t that many of them in Kansas City. Once he discovered it, Trimble says, he was smitten.

Ragtime is big with the kids in Sedalia.

One day this spring, about 100 of them cheered for William McNally, a two-time winner of the World Championship Old-Time Piano Playing Contest. His performance at Sacred Heart School quickly won them over with the lively music that was all the rage 120 years ago.

“It’s kind of like making you want more," said Thomas Jenkins, 11, who had been taking piano lessons for about a year.