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Since 1982, William Jewell College has partnered with Grace and Holy Trinity Cathedral to present "The City Come Again" as a gift in music and word to Kansas City. Dr. Ian Coleman, Chair of the Department of Performing Arts at William Jewell College, hosts this program of students and faculty presenting seasonal music, poetry, and more.

Guest host Brian Ellison speaks with composer Mason Bates and Kansas City Symphony Associate Conductor Gonzalo Farias about performing Mason's multimedia depiction of the orchestra, "Philharmonia Fantastique." We'll also learn about their early music influences and how orchestras are embracing 21st-century technology.

We’ve reached another milestone together – it’s the 200th episode of From the Archives. It’s a program with some of Frank Byrne's favorite music, each with a personal connection.

Of the many performance outlets for students at the UMKC Conservatory, Musica Nova is one that focuses entirely on new music. Composers, UMKC faculty members and Musica Nova directors Yotam Haber and Zhou Long join Classical KC's Brooke Knoll to talk about the group's mission and upcoming concerts. Hear music from Zhou and Haber as well as Chen Yi and Wang Jie.

Celebrate Pride month with Classical KC by listening to meaningful music selected by and featuring out and proud artists and musicians from right here in Kansas City, including drag queen and clarinetist Tajma Stetson and J.J. Pearse: Composer and member of the Mid America Freedom Band. Hear music by Julius Eastman, Michael Tippett, Jennifer Higdon and more.

Classical KC's Christy L'Esperance speaks with six time Tony Award winner Audra McDonald about the blurred lines between modern opera and the American musical theater, embracing each performance opportunity and her appearance in Kansas City. We'll hear Audra's rich soprano in works by Leonard Bernstein, John Adams, George Gershwin and more.

Franz Schubert either intended his eighth symphony to have only two movements, or he never finished it, as is often thought. We’ll hear the efforts of scholars to complete the other two movements of Schubert’s Symphony No. 8 and also what might have been the first movement of Beethoven’s tenth symphony. Good or bad idea? We’ll find out together.

We continue our exploration of music inspired by Shakespeare with Patrick Doyle’s original score for the Kenneth Branagh film of Henry V. It’s stirring music as befits this noble tale.

When commercial stereo recording began in the mid-1950s, it created a new world of possibilities. We’ll hear examples from the first experiments to remarkable early stereo work by Decca, RCA, Mercury and other stereo pioneers.

Arthur Fiedler conducted the full Boston Symphony Orchestra on December 17, 1969 to celebrate his 75th birthday. We’ll hear a complete live performance of Dvorak’s Symphony No. 9 “From the New World,” and a dynamic reading of the Carnival Overture also recorded with the ensemble.